
There is a brief moment, just as the sun rises above the houses across Marine Street and mixes with the last of night’s shadows, that the grave markers in the St. Augustine National Cemetery display their age before donning their regulation white.

There is a brief moment, just as the sun rises above the houses across Marine Street and mixes with the last of night’s shadows, that the grave markers in the St. Augustine National Cemetery display their age before donning their regulation white.

How is it that a sub lieutenant of the Royal Navy Volunteer Reserve rests for eternity in this national cemetery of ours? And, who is it that still comes here to leave a stone of remembrance and respect? And, why is it that this story I will never know has touched my soul so?

The statue of Juan Ponce de León at the eastern end of the Plaza de la Constitución points north. Perhaps it is to indicate the location of the Gulf Stream that he discovered, or perhaps it is to suggest that he first landed in Florida a few miles up the coast in 1513.

A single masted square-rigger anchored in the harbor last night. I have never seen such a boat before, but it is unquestionably well-suited for this antiquated harbor of ours.

From where I stand on the south side of the Bridge of Lions, I see five boats moored in a row along the sea wall approaching the Castillo’s ramparts, like so many English ships of the line in battle formation.

Searching for redfish
In clear, shallow back waters –
Outside time being

Here is the Seven A.M. Harbor Report: There is currently an almost slack, incoming tide with light winds out of the northwest and some cloud cover that will clear later this morning. The water and air temperatures are both at 60 degrees Fahrenheit. Aside from water slapping against hulls and the unpeopled docks and the occasional splash of a fish, the marina is quiet. The sun has cleared the horizon, freshening the starboard sides of the moored sailboats at the harbor’s southern end. Two pelicans land in untroubled waters near the lead schooner there, and one is filled with a sense of peaceful confidence that all is as it should be.

Sun-gilded landing
Is mirrored in pastel waters,
While unhurried musings drift
Toward the creek’s final bend.

I am a break-of-day photographer who lives at the edge of land in St. Augustine, Florida. Since moving here, I have become drawn to moored sailboats in our small harbors that open into the vastness of the Atlantic. My attraction is related to a notion I have of man’s boundless curiosity that has historically driven him to undertake dangerous, far-ranging seagoing adventures.
The best time to capture this mood with my camera, I have learned, is during the brief period before and after the sun rises on days of partly clear skies and gentle winds. The sun’s light is not blindingly bright then, and its position is low, horizontal to objects on the water and beneath the clouds, resulting in deepened colors, highlighted shadows, long reflections in still waters, and, when I am lucky, an arresting photo.

The harbor is fog-filled this morning. Ghost ships come in and out of view on Matanzas Bay – first one boat, then another, and then the first again – as the mist swirls and meanders southward. The Bridge of Lions and the boats moored further out are but vaguely defined at best, and I begin to entertain unanswerable questions relating to existence and reality.
