When I hear my love moving about,
I hurry to her as she rises
We seek out each other's arms,
Then hold on so tight like if two turns to one.
"Alexa, shuffle morning songs," I shout!
And we dance a few steps before making the bed.
First of March’s flowers,
Golden Ragwort blooms in back woods –
Winter lock picking
Distant docks emerge mysteriously
Through a gap in the fog’s heavy curtain,
Briefly causing ethereal feelings of wonder
Till the docks dissolve within swirling mists,
And we return to our business once again.
Isolated among the tall grasses which frame Poncho Creek and engrossed in my effort to catch a sea trout for dinner tonight, I failed to see the fog come rolling in over the eastern dunes of Vilano this morning. It’s most heavy now along the river to my south where both banks and even the bridge to the mainland are no longer visible, but it will thicken here as well soon enough, and though I’ll be sailing north and then east toward the Fourth Street beach near my home, I’ll not out race it if I don’t make haste.
I reel in my lines and secure my rods; I lift my anchor and push off from a muddy shore with an oar; then I raise my sail and steer my slow pram toward the channel. Clearing the mouth of the creek, I check north and south for oncoming boats, but there are none, and I suspect there won’t be many out this morning, if there are any at all.
Just as I look to the south, the docks by Boating Club Road emerge, revealed to me by a passing gap in the fog’s heavy curtain. And though I know these docks well—I have fished their pilings on occasion‑‑I am struck by the ethereal nature of their appearance, nonetheless. They float in the mists there, out of focus in a light that is neither bright nor somber, neither of the day nor of the night; as if they exist somewhat in this world and somewhat in some mysterious other. Perhaps they are a bridge between consciousness and dream, I ponder idly as I slowly make my way toward the channel, or how about a link between the present and the future or the present and the past, or even a link between life and death. What would that look like? I continue lightheartedly. And what would one learn from such connections? Would I be better or worse off?
No matter the original intent of my musings, these mythical and mystical notions now intrigue me and, Odysseus unbound, I am drawn to investigate. I pull on my tiller accordingly and come about south.
The wind‑‑now off the port bow‑‑no longer fills my sail, and a strong incoming tide pulls me back to the north. I tack to starboard to keep the sail full and am experiencing some success when, to my dismay, the docks fade away, swallowed by a dense swirling wall, which is now gaining speed and will soon envelope me in turn, robbing me of any sense of direction. Practically, there is nothing left to do now but to hurriedly come about once again and resume my original course north; yet, I make no move to do so.
The most visible setting in Autumn’s garden,
Milkweed stretches as high as an eye,
With nectar filled goblets to entice passing monarchs,
And ripe virgin leaves to feed royal issue.
Green lizard on green leaves
Pollinator stealth hunting –
Most serene unseen
Last in September’s garden –
The sun has risen above the roof lines of Arles.
The woman turns onto Rue du Cloître.
She cradles the portfolio in the crook of her arm.
The abbot awaits beyond the arched gate at the Théâtre Antique.